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Tuesday, 13 December 2016

Editing - Psychological Thriller


Continuity editingThis is used when the audience needs to understand something making it likely to be used at the end of the psychological thriller when the mystery is revealed The shots are long, running smoothly and they all link together (unless there are flashbacks). Continuity editing is used in American Psycho. At the end of the film when Patrick Bateman realises that he hasn't really killed anyone the shots are long and there is also a narrative where Patrick is speaking out loud trying to make sense of what is happening to him. The speaking out loud also help the audience understand it as well.

Image result for american psycho

Straight cut - This is seen when there is a lot of action going on. The shots jump from different focus points when there is a tense part going on. These can be running scenes. A example of this is in The Bourne Ultimatum. The fast cutting produces a fast paced, action feel. It keeps the audience on edge and filled with tension and anxiety. 

Match Cuts -  This type of editing cuts two unrelated scenes together but show the relationship between them. This is especially used in thrillers to show how the unexpected can be related together. The video below shows many different films that all include match cut editing.
 

Iconography - Psychological Thrillers

Iconography is being able to recognise a film based on one image, logo or symbol.

Image result for paranormal activity shadowShadows - these provide a psychological thriller with the 'on-edge' feeling as there is an uncertainty as to what that shadow is. Generally, when shadows are present, the protagonist is unaware of the figure behind them which creates this fear. One example of this is in paranormal activity.  

Running water - This is a very iconic factor in thrillers, it creates some discomfort and is a little sinister. It can parallel the draining of life (like in psycho) or parallel dripping blood.

Confined Spaces - This creates discomfort amongst audiences and makes them anxious as the audience will imagine themselves in that situation. This brings out the insecurities and fears that the audience hold. 

Image result for psycho shower scene
Knifes - These are the most recognisable icons regarding psychological thrillers. They portray the idea of violence and murder. A knife (or any sharp object) sets the tone for he film. An example of iconography is the shower scene in Alfred Hitchcock's 'Psycho

Different kinds of recognisable props:

    • Blood 
    • Guns 
    • Drugs 
    • Everyday objects 
    • Mental Illness 
Image result for the purgeThese are used to stick to the general theme of psychological thrillers and they guide the audience and hit to when something bad is going to happen (like when a gun is shown on camera but hidden to one character on screen). The everyday objects help the audience imagine what they would feel like in that situation. An example of a recognisable prop is the masks from 'The Purge'. The anonymity that comes with the masks is scary for the audience, making them iconic. 

Psychological thriller - Camerawork/Cinematography



  • Low angle shot - looking down makes the figure or object look inferior and vulnerable.
Related image
  • Extreme long shot - puts the settings into perspective (if used on a house etc)
Image result for extreme long shot movie
  • Close up - these are used to show the reaction on the actor/actresses face,capturing detail by showing emotion.
Image result for close up shot film
  • High angles - perfect to show intimidation and superiority. 
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  • Over the shoulder shot - builds suspense. 
Image result for over the shoulder shot batman
  • Tracking/Planning shot - used to show id a character is being followed and to build up suspense as the audience doesn't know what is going to be shown 

    Image result for perspective shot film

    Sounds and Music within Psychological Thrillers

    Often in Psychological thrillers the music and sounds that are used are known as ‘Contrapuntal’. This means that the sound does not match the action on screen. This creates a disorientating effect on the audience - making them question what they are seeing - while also leaving them wondering what will happen next. 

    One example of this is in the film Reservoir Dogs (Dir. Quentin Tarantino). During the very gruesome scene where 'Mr Blonde' slices off a Cop's ear. However during this scene, a very upbeat song come on the radio totally juxtaposing what is happening in the scene.



    Another example is in the film American Psycho directed by Mary Harron. In this slasher film, Patrick Bateman is preparing for his next kill. While this is happening, he asks his victim if he likes 'Heuy Lewis and the news'? moments later, once the song is on, Norman kills the victim. This music is the exact opposite to what would be expected in a horror film.


    In psychological thrillers, Paralleling sounds are also used. These are sounds and music that relate to the situation on screen. If you were watching a film about a car chase, you would expect to hear things like, horns, tires screeching and the roaring engines. 

    One example is in the movie The shining, directed by Stanley Kubrick. In the famous 'here's Johnny scene' tension building music is played in the background. This causes the audience to feel on edge as they don't know whether the victim (Wendy) is going to make it out of that situation alive. 

    A final example of paralleling sounds is in fights scenes. The use of nerve wracking music in the background creates tension as well as this, screams in the background, gun shots, explosions and more all make the scene seem more realistic. The Highway scene in Captain America: The Winter Soldier is a good example of this as you can hear all these factors. 




    Psychological Thrillers - Characteristics (settings and characters)


    Tuesday, 6 December 2016

    Sound/Music within Films



    • Eerie and intense music to build up tension and suspense

    • High pitches sounds create discomfort

    • e.g. Jaws music creates a suspenseful atmosphere building up and prepare the audience for conflict or sudden change

    • Fast paced music for action scenes e.g. chase scene

    • Low vibrations usually used to instil fear in the audience

    • Noise of panic e.g. alarm , to create an unsettling and unnerving atmosphere

    • Music and sounds are used to heighten our senses and make us more aware of the situation as it changes our emotions to fit with particular scenes

    • Ambient sounds within dramas used to create realism

    Chracters Features within Thriller/Drama Films

    Monday, 5 December 2016

    History of Crime Drama / Crime Thrillers - Joe Sheldon

    The history of Crime Drama / Crime Thrillers:

    Crime is a genre that has emerged through different eras that had varying attitudes to criminals. First appearing in 1900 with the publication of the first Sherlock Holmes novels. These detective books would be some of the first to explore the nature of crime and the relationships between crime and criminals. Over time, attitudes toward showing crime and portraying criminals as more human would become accepted in common media, leading to the modern crime thrillers we experience today.

    1940 - 1960:

    Image result for sherlock holmes 1900

    The early Holmes movies were the first time that the idea of crime was shown in a mainstream movie for a large audience. Sherlock Holmes and the Secret Weapon (1942). Holmes and Watson must assist the creator of a bomb from the German army. While this idea seems highly non-controversial now, this notion of protecting a criminal was novel at the time. Typical features of this time period include a stereotypically 'heroic' protagonist, a conclusion in which the protagonist catches the criminal and a villain with no remorse.

    This opened the door for the twenty year span of the film noir genre. This involved many private eye and New York detective films, with the protagonist of a private investigator getting involved in their client's case while trying ton remain neutral and keeping a cold exterior. Typical deatures of these films included a detective protagonist, dark scenes and more emotion surrounding the crime. This spanned 20 years, from Laura (Dir. Preminger, 1944) and continuing through to Touch of Evil (Dir. Welles, 1958)

    1950 - 1985:

    Touch of Evil is a film that tipifies the transition from film noir to cop dramas, with it being a blend of both. The actual crime within the films becamke more serious and violent, following the mafia and serial killers. Mafia movies such as The Godfather and Goodfellas became box office hits. Two distinct types of crime drama ran alongside each other, cop dramas and mafia movies. These directly contrasting genres complimented each other at the time, as the protagonist in each subgenre was the opposite of the other. The fast succession of the releases of Bunny Lake is Missing (Dir. Preminger, 1965), In the Heat of the Night (Dir. Jewison, 1967) and Bullitt (Dir. Yates, 1968), all cop dramas, showed the rise of cop dramas toward the 60s and 70s.
     
    Meanwhile, the 70s and 80s saw the rise of mafia movies as a response to the cop dramas. The Godfather (Dir. Coppola, 1972) and Scarface (Dir. De Palma, 1983) were defining movies of their decades. These movies usually featured a central character who had power, a strong theme of family and the law as the enemy.

    Image result for the godfather

     
    1990-Present:

    Since 1990, the crime genre has changed to show the main character as the criminal the majority of the time, but the protagonist is shown as a character that you can empathise with to a greater amount. Good examples of this are Enemy of the State (Dir. Scott, 1998) and the incredibly successful TV series Dexter (2006-2013).  The protagonist is a serial killer, but he is presented as human and empathetic, only killing those that he deems bad. We see him in his daytime job as a detective and how his family life is affected by his actions. This would have been unusual in the past, when all enemies were presented as purely bad. This period of crime thriller most influences our storyline- despite him committing terrible acts, you understand his remorse and mental illness is causing him to do this - he's good at heart. Features of the modern era of crime drama include more sympathy for the villain, a greater focus on emotion and a story that focuses on both opposing sides.
    Image result for dexter









    Monday, 28 November 2016

    Thriller Films


    Examples of Thriller Films:

    The Great Escape - A large group of POW’s plan an escape from a German camp in World War II.

    The Silence of the Lambs - An FBI agent develops a relationship with the notorious serial killer, Dr. Hannibal Lector, in order to gain Lector’s assistance in the hunt for another serial killer.

    North By Northwest - Mistaken for a government agent by foreign spies, an advertising agent travels cross-country trying to survive.

    Crime Thriller

    Crime Thriller film is a sub-genre that incorporates the suspenseful aspects of a thriller with a crime film plot. This sub-genre's plot usually centres on a serial killer, murderer, robbery, or manhunt. As opposed to traditional crime films, the storyline focuses both around the criminal and the protagonist. Crime Thrillers use both action and psychological aspects to build tension and suspense.

     Psychological Thriller

    In addition to the traits of a regular Thriller, a Psychological Thriller incorporates elements of drama and mystery film. The suspense in this sub-genre comes from the mind, rather than from a psychical threat. The protagonists in Psychological Thrillers must rely on their mental resources to solve the situation. Because of their nature, many Psychological Thrillers cross over into the Horror genre.

    Examples: Memento, Rear Window, Taxi Driver.

    http://thescriptlab.com/screenplay/genre/thriller

    Moodboard


    Mood Board - Joe Sheldon


    Wednesday, 23 November 2016

    Psychological thriller and horror research



    Psychological thrillers:

    A psychological thriller is a story that emphasises the abnormal psychological state of its characters. It is a sub-genre of the broader thriller genre. Psychological thrillers often incorporate other genres such as; mystery, drama, action, slasher and horror. 
    Psychological thrillers often contain a plot twist. 'Psycho' directed by Alfred Hitchcock contain a plot twist. These are used to completely shock the audience. Another psychological film that does this is 'The skeleton key' but a bad plot twist can completely ruin the film, for example 'The Village' did terrible and suffered at the box office and this was all because of their predictable and cliché plot twist. Some consistent themes of the new psychological thrillers are; reality, perception, mind, existence, identity, death. Characters often battle their own minds. A example would be 'Memento' directed by Christopher Nolan.

    Image result for MementoIn memento, Leonard is tracking down the man who raped and murdered his wife however, he suffers from a rare, untreatable form of memory loss. Although he can remember what happened before his accident he cannot remember what happened fifteen minutes ago, where he's going or why. Leonard uses Polaroid's and tattoos to keep track of important information.

    Image result for the stanford prison experiment film endingAnother example of a psychological thriller is 'The Stanford Prison Experiment'
    The plot tells the story of the Stanford prison experiment in which students play the role of a prisoner or a prison guard conducted at Stanford University under supervision of psychology professor Philip Zimbardo in 1971. This experiment last for 14 days and mocks a prison environment to try and get the participants to act in their roles. During the film, the student who are the guards become abusive and violent - hitting the prisoners even when they've been ordered not to.

    Image result for frankenstein (1931)
    Horror:
    The horror genre's goal is the get a negative emotional reaction from its viewers. In order to do this, they play on the viewer fears.They deal with the situations that the viewers themselves would not want to be in as well as the fear of the unknown - evil forces, extraterrestrials, demons, killers, ghosts, zombies, cannibals, vicious animals, gore and torture. Horror films have existed for more than a century and are normally inspired by literature, some examples of horror writers are; Edgar Allen Poe, Bram Stoker and Mary Shelly. 

    Image result for blair witch projectAn example of a horror film is Mary Shelley's 'Frankenstein'. Despite there being many different adaptations (both old and modern) they all follow the plot line. Victor Frankenstein is a scientist who is obsessed with having control over life and death, he sews body parts together, creating a monster which then comes to life. The monster escapes from the laboratory and disappears until hes found in the Swiss alps. He was rejected by society because of his inhumane features. Eventually the monster kills Frankenstein best friend and Frankenstein seeks revenge but fails as his creation drifts away.

    A more modern example of horror films is 'The Blair Witch Project' directed by Eduardo Sanchez and Daniel Myrick. The film shows video footage found from three film students who go to a small town to document the famous local murder. Over several days, they gather clues which lead them to the woods.It takes a turn hen they get lost and begin hearing horrific noises and they capture it all on tape.

    This film focuses on the scenarios that the viewers would not want to be in and this is what creates the horror. Compared to Frankenstein, its much more modern and appealing to audiences while Frankenstein is based off of a Gothic horror novel. 

    Monday, 21 November 2016

    Genre Research


    Drama/Thriller/Action


    Drama - an exciting, emotional, or unexpected event or circumstance

    Thriller - film with an exciting plot, typically involving crime or espionage.

    Action - exciting or notable activity

     Panic Room (2002) Crime, Drama, Thriller

         Recently divorced Meg Altman and her daughter Sarah have bought a new home in New York. On their tour around the mansion, they come across the panic room. A room so secure, that no one can get in. When three burglars break in, Meg makes a move to the panic room. But all her troubles don't stop there. The criminals know where she is, and what they require the most in the house is in that very room
     
     
     
     
     
     
     


    Would You Rather (2012) Thriller, Horror

          A young woman, desperate to help her sickly brother, accepts a dinner invitation to what seems to be easy money. As soon as she arrives to dinner, she realizes that playing the "game" is deadly for its losers. She and several others spend the night being terrorized in a game of would you rather?
     


     
     
     
     
     


    Taken (2008) Action, Thriller

         Bryan is a retired agent who left the Central Intelligence Agency to be near Kim in California. When his daughter and her friend arrives in Paris they share a cab with a stranger named Peter, and Amanda lets it slip that they are alone in Paris. Using this information an Albanian gang of human traffickers kidnaps the girls. Kim barely has time to call her father and give him information. Her father gets to speak briefly to one of the kidnappers and he promises to kill the kidnappers if they do not let his daughter go free. The kidnapper wishes him "good luck," so Bryan Mills travels to Paris to search for his daughter and her friend.

    Thursday, 17 November 2016

    Mood Board


    Sport Drama Titles

    Sport Drama titles are a demonstration of the seriousness of the sport. They show the determination, competitiveness, the focus and the strength of those fighting to win. Many Sport Drama films are displayed in this way to show, those who would consider buying the film, how much this competition means to them and therefore makes the main characters likeable because they drive the audience to want it as much as they do. The main character or characters are shown to be the biggest on the covers to show the focus of the film is on them.



    Wednesday, 16 November 2016

    Music and Sound in Sport Films

    In sport films, there are, typically, similar sounds and music used across all of them. Examples include the build up to the big event, during the title of the films, the big event(especially in at the critical stage), end of the game, when a prize is given and the celebrations. I have a number of clips in which each number below is a brief description of the clips in chronological order.

    1.  This iconic music from Rocky is a very well-known song in which he trains and builds up to be bigger and stronger than ever before!
    2.  The next piece of music is called Vangelis, also an iconic song from the film Chariot of fire which is a very commonly known song but was used for the theme tune of this particular film.
    3. The third clip is a scene from Youngblood which demonstrates sheer drive and competitiveness as players begin to player very aggressively due to them wanting to win so much, the song in this is called stand in the fire.
    4. This fourth scene is a demonstration of sounds and music. The sound in the background is diluted and therefore, softer than what the actual sound would have been. This shows pressure in the game and emphasises the importance of this particular shot. After they win, there is a break out of positive music to bring a buzz to the film. This will engage the viewer to feel good just like the players on the winning team.
    5. The fifth clip from When the Game Stands Tall has music edited in a way that the viewer feels the adrenaline that the rest of the team feels and makes the film more immersive.
    6. The sixth clip is from Game Plan. Dwayne Johnson had finally accepted both Ballet and American football all for his daughter. They both show progression in their relationship and proves to drive their game to be stronger. The song Mr. Blue Sky brings a positive vibe to this scene.
    7. The final clip is from Karate Kid and brings both the adrenaline of the big occasion as well as the 'never say never' inspiration to the scene to demonstrate how far he has come and how he cannot throw it away after all his hard work. At the end, the sound of the screaming and shouting crowd show a clear sign of accomplishment.

    Tuesday, 15 November 2016

    Types of settings/locations in Sport drama films

    In sport drama films, there are several settings and locations that would typically be involved within these films.

     A Place Where The Main Character Would Train-

    This setting/location would usually be at the start or middle of the film where the main character trains for their big moment towards the end. This usually consists of a quick-fire montage of clips that show progress and results of the character.


     The Team Dressing Room-

    This is the place where the main place where the main characters and their team would prepare for the game and get into the mindset to win the game. This is a vital scene where it shows the true personality of the players leading to the must-win game.





    The Big Venue-

    This is the location where the team needs to perform and is the time, all of them and the fans have been waiting for. The place where their life can change forever on this big, televised stage.

    The Press Confidence-

    This particular setting is the place where the sportsman can create a fan base off the pitch, where the media can ask questions to be published in newspapers, online articles, television and social medias.






    Team Bus-

    The journey to the big venue starts here, this can be demonstrated to be a long time period regardless of the distance they go. This is because the trip can feel long as it can show to nervousness of the big event and also emphasise the mindset of the team.





    Iconography in Sports Drama

    Iconography is when a film's genre can be recognised based on the appearence of an image from the film or anything representing it such as a logo or props.

    A Sport- A sport based film cannot be what it is without a sport being shown, it instantly portrays that the film is sport based if it contains anything to do with it. Examples may include any iconic figures in sport or sport equipment such as a baseball bat or a football.


    A Big event- Usually in a Sport film there is that one big moment in which the main character wants to step up and prove himself/herself. This creates a big story line in which the main character leads up to this very significant moment that means so much to them and would only mean better things from that point.

    Success and Failure- In a sport film, there is always both success, and failure in which some characters are on the side of failure in which viewers would normally feel sympathetic for (unless they are demonstrated to be negative characters.) Success in sport dramas usually takes place at the end of films as the rest of the film demonstrates their journey getting there.

    Money- Sport makes huge money nowadays and the biggest stars have the biggest endorsements with the best lifestyles




    Nice Cars- The biggest stars in the game love to demonstrate their wealth and status with amazingly nice cars, films use this to, sometimes, demonstrate the importance of a certain character.


    The Sport Fans-  The fans in sport films demonstrate events as important and portray to audiences watching the film, the pressure the character has on them, knowing they have to do their very best in front of all these people.








    The big stake- In a sport film, there is usually something that the teams want desperately, whether this is promotion, winning a trophy or for pride, this is usually the biggest thing on the character's mind.



    Monday, 14 November 2016

    Jake Lawson - Film Continuity

    Film Continuity is how consistent and how well a film flows between cuts and transitions between scenes. The following techniques allow for scenes to have good continuity and is key to contructing a successful film.

    The 180 Degree Line of action is line of guidance that the positioning of cameras follow. This usually is used after an establishing shot when a conversation between two or more characters begins. The idea of the line is to prevent the audience being confused of the positioning of characters and objects so as a result, in the film, they remain in the same position throughout the scene. In some cases, scenes are deliberately positioned so that characters are next to a wall or an object that would obstruct cameramen if they were to switch their camera positioning, therefore making it impossible/very difficult to break the 180 degree rule.

    Match on action is the cutting of clips whilst an action is being performed. This technique is to make a film flow more smoothly and can make the action more clear in the film. An example of a match on action would be a person walking to a bench and sitting down on it. The cuts would occur mid-way through the person walking closer to the bench, followed by another mid-way through sitting down and switching to a different angles each time. This allows a cut to be less noticeable by the audience. The only problem may be that if the clips switch angles too quick or the clips are not long enough between switching of angles, the film can appear jumpy and can ruin the flow of that specific scene.

    Shot Reverse Shot is a filming technique used in conversation. This involves the switching of filming from people's perspective looking over to the person who is talking, this is usually done by placing the camera over one shoulder of the person who is being spoken to. The reason this is done is to show emphasis on emotion through facial expressions of the person speaking. It is called "reverse" because the camera then switches over to the shoulder of the person who was originally speaking, to show the reaction and response of the person who was originally being spoken to. This is used to clearly show who is speaking at what time and also helps cover up continuity issues the scene may have.




    Preliminary Film Idea- Jake Lawson

    Genre- Sport

    Following those famous footsteps

    Main character background- Theo Donovan, from a young child, has always wanted to be a professional footballer. He has, from a young age, has shown his unique ability and passion for the game and wants to follow the footsteps of his grandfather Sir John Donovan, who scored over 250 Goals for club and country with Manchester United and England.

    Plot- As a young child, he had trails at several professional football teams, with no luck, didn't achieve success despite his outstanding displays at Sunday League level. He has always played alongside his best friend, Joshua Murdock, who also wanted to achieve his ambitions to have a professional career in football. As he gets older football starts to distract him from school and he begins to lose his relationship with his father. By the time he is a teen, his father splits up with his mother, who was left to support Theo as well as his ageing grandfather. This is an emphasised moment of Theo's life in which he suffers greatly from but only makes him stronger as a person. A stroke of luck finally hits Theo and Joshua, they both are given the chance to attend English trails to later get offered a contract at Manchester United, where they have always dreamed to be. Being together as well as following those famous footsteps of his Grandfather made it very special. But suddenly, playing at a professional level of football, brings out the competitive side of Theo and Joshua, who now contest to make the starting 11 of the team. Joshua successfully breaks into the first team, leaving Theo behind. Manchester United felt that the best option for Theo was for him to be transferred elsewhere to fulfil his potential as a footballer. He transfers to the newly promoted side Sheffield Wednesday but struggles to settle into the side as he feels he is too good for the club after being at the Premier League giants in Manchester United. He later begins to appreciate the sheer quality that surrounds him and allows him to grow as a player more than he ever did at Manchester United. After months of heart, soul and determination, Theo and Sheffield Wednesday reach the FA Cup final. He meets back with Manchester United and his lost friend Joshua to score the last minute winner to lift Sheffield Wednesday's first trophy in years. This teaches his lost friend Joshua how much he underappreciated Theo as a person and player. At the end, Theo lifts the cup to bring emotional scenes to fans faces for him to now be the new famous footsteps in football.

    First two minutes- Starts off with Theo playing as a young child in Sunday league. At this point, he is already attracted the attention of professional clubs. He scores many goals, demonstrated through quick transitions of clips to show time is progressing like his ability in the game. He gets approached by a scout telling him how his ability in the game is ecstatic and he would offer him a chance to play for Everton academy. He attends his first trail to go on to not get into the academy as he crumbles under the pressure. Theo is heart broken as he doesn't take his opportunity to play at such a good football team. A transition takes Theo to him crying in his room. He nearly quits football but his grandfather walks in to talk to him to convince him to carry on, after explaining how he had these minor setbacks but look where it put him.

    Camerawork/Cinematography in Sport Drama Films

    Cinematography-The art of making motion Pictures.
    Camerawork- The way a camera is used in a movie or television program


    • A low angle shot is a shot where the camera is positioned underneath the eye line of a character to face upwards. This way, the character is being displayed as powerful or superior. In this case, the lower angle shot shows the horses to be strong and powerful.






    • An Extreme long shot is a very far away shot that usually establishes a scene or sets a scene. This is usually a film of an exterior such as buildings or in this photo, a large boulder with a climber on top. This specific photo establishes achievement as the camerawork demonstrates the size of the boulder in ratio to the size of the person.
       

    • A high angle shot is where the camera is positioned above eyeline and looks down on something or someone to demonstrate little power or venerability. This specific photo clearly demonstrates that the hoop is more superior, compared to the children looking at it from down below. This is because the hoop appears to be tall in a way that the children wont be able to reach it no matter how much they try.




    • An over the shoulder shot in films are a shot over the shoulder of someone or something to look from the perspective of the person, who's shoulder the camera is looking from. This is usually to then face a person opposite to them to emphasise facial expression and emotion.



      • A close up shot is a zoom-in or tight framing of a person or object. This is usually to show emphasis on the facial expressions or specific detail that the viewers will notice. In this shot, the woman is getting ready to set off in a sprint, this shot demonstrates her nervousness but more noticeable her concentration.

      Preliminary Exercise


      Ashleigh Lovitt - Film Continuity




      The 180 Degree (line of action):
      This rule is a basic guideline when filming between multiple characters or an object in a scene. There is a hypothetical line, and the camera has to be on one side of this line and cannot change its position on the line.

      Match on action:
      This is an editing technique for continuity editing. This is where one shot follows on from another shot and it carries on- creating an image of continuity. The two different shots are matched up.

      Shot reverse shot:
      This is also an editing technique that is mainly used in conversations where characters are talking to each other. Using a 'point of view' shot or a 'over the shoulder shot' is a way of doing this. The camera looks over the shoulder of one character while the opposing one is talking, then it is followed by the other character doing the same





      Techniques to retain continuity in editing - Joe Sheldon

      Techniques to retain continuity in editing - Joe Sheldon

      Film makers use a variety of techniques to keep continuity in their films. Any abrupt change in audio or visuals is breaking technical continuity. A result of breaking it could be that the viewer is taken out of being immersed in the action; it's highly important the film flows well, so these techniques help retain this.

      The 180 degrees rule:

      This regards how film makers use the placement of the camera to not confuse the audience as to what side of a conversation we are seeing. A conversation usually begins with an establishing shot to show which characters are speaking. A line then should be mentally drawn between the characters and during filming of the conversation, the camera should stay on only one side of the line. Switching the side can be confusing as it looks like the characters are swapping places when they talk. However, breaking the rule can be purposely used to show characters moving in opposite directions.

      Match on action:

      This technique surrounds when the video is cut during editing. Showing a character moving between shots can be a risky technique, as a major change in their positioning or speed of movement is highly obvious to an audience. However, cutting when the character is moving can make the flow seem more natural. An example is a character sitting down on a chair; if cut at the right time sitting down, it can look like it was all one movement and not two separate shots from two different angles. With this, the audience tend to notice the change in movement less.

      Shot- reverse shot:

      The third continuity technique is another method of keeping a conversation between two characters concise and clear. You shoot from behind the head of each character that isn't speaking, focusing on the person who is. You swap between them each line of dialogue to get a clear showing of who is speaking.


      Nina Balaj - Film Continuity

      The 180 degree line of action is an imaginary line between two characters in which the camera must be kept one side of that line, the line of action allows things such as the shot reverse shot take place as separate shots of each character are needed in order to have film continuity and in a sense make the scene flow and makes sense. During this the filming will only take place in a 180 degree angle.
      <iframe width="560" height="315" src="https://www.youtube.com/embed/mEZjvs7oh60" frameborder="0" allowfullscreen></iframe>

      Shot reverse shot is a continuity editing technique used in things such as conversations between characters , the camera shoots in one direction and then another direction, during this the camera will get closer and take separate shots in order to see the characters expressions and understand how the characters are feeling during the scene.
      <iframe width="560" height="315" src="https://www.youtube.com/embed/FvVhr34Mfu0" frameborder="0" allowfullscreen></iframe>

      Match on action is an editing technique used in film continuity in which one shot cuts to another shot showing the action of the object taken from the first shot, it creates a continuous sense of action rather than portraying two different things. This technique can draw the attention away from any continuity issues.
      <iframe width="560" height="315" src="https://www.youtube.com/embed/Mv93covb53w" frameborder="0" allowfullscreen></iframe>

      EXAMPLE OF ALL –
      <iframe width="560" height="315" src="https://www.youtube.com/embed/u7GC4962cYE" frameborder="0" allowfullscreen></iframe>


      Nina Balaj - Preliminary Film Idea

      KIDNAPPING STORY – DRAMA/THRILLER
       First 2/3 minutes


      Scene starts at an abandoned alleyway on a foggy Friday afternoon. A young teenage girl is making her way home from school, walking at a steady pace with earphones in her ears. She begins to turn suspicious as a shadow is lurking at the corner of her eye, trying to brush it off she speeds up and turns up her music. That unsettling feeling in her stomach sends her into a slight paranoia, she clutches her bag tightly and speeds up once again. Not only does she see the shadows come and go she can now hear the slight crunch of leaves from behind as if footsteps where approaching ,as one earphone drops from her ear. She turns around and scans the area, pulse quickening. There she sees a hooded figure in the distance. Pupils dilated she runs, her breath unsteady and frequent. The figure then too speeds up following behind. She turns its closer. She sprints, and clings onto her bag with a death grip causing her knuckles to turn white. Camera shot jumps from her to the figure, her to the figure until the figure catches up. Everyone pauses, music stops, her hyperventilating breath stops. Slow motion closes up on the girl, face of horror. Camera blacks out. End of scene.

      Middle 
       Story continues on as girl finds out she’s been kidnapped, her entire journey carries out through a blindfold , all she can do is trust her senses to find her way out. 

      End  
       Story ends with a teenage boy finding her a few miles away from her kidnapper. After girl gets admitted to the hospital, camera follows the boy into the hospital bathroom and reveals he was the kidnapper/stalker. Camer blacks out. End Scene